However, at the risk of upsetting the Hollywood glitterati, we wouldn’t say that motion processing is always a bad thing. Too much processing can also make images look fake, while poor quality motion processing can cause ugly unwanted side effects (such as flickering or smudgy haloes around moving objects). If too much judder is removed, for instance, it can make films look like cheap soap operas. Motion processing certainly can be unhelpful. Some very big Hollywood names have even put out videos telling everyone to turn motion processing off. Filmmakers, on the other hand, almost all hate motion processing with a passion. Most TV engineers seem to love motion processing, with pretty much every TV shipping with motion processing active – usually on a fairly high level of power – out of the box. Many premium TVs offer a menu of motion processing approaches, though, that include alternative options such as simple frame repeating techniques, which reduce the burden on a TV’s video processors, and systems that add black frames to the video stream to try and recreate the experience of judder you get with 24fps films at the cinema. It usually works by analysing every frame of an incoming image source and figuring out how to add extra ‘made up’ image frames between the real ones – a process known as frame interpolation. Motion processing on TVs is designed to reduce the judder or resolution-reducing blur – or both – that can appear when TVs have to show objects moving around the screen. Make sure your Samsung TV stands out with the right picture settings. The Filmmaker mode has actually been established in conjunction with third party industry body the UHD Alliance, though personally we’d say that Samsung’s Movie mode delivers a slightly more enjoyable all-round result with films. Which is to say, using picture settings that track closer to the color, brightness and sharpness levels creatives tend to use when mastering their content. However, with movie sources, especially HDR movie sources playing at 24 frames a second, you can get significantly more balanced, consistent and therefore immersive pictures if you use the Movie or Filmmaker Mode presets available on Samsung’s recent TVs.īoth of these modes are designed to reproduce content with more ‘accuracy’. Its mildly aggressive approach typically plays nicely, for instance, with regular broadcast TV sources and sport. The Standard mode Samsung TVs default to now is actually pretty nice for some types of content. Adjust picture presets for different sourcesĮven once you've dodged the Dynamic bullet, research shows that most people only stick with just one of their TV’s other preset options. Don't! So tip one is to avoid the Dynamic preset… but what should you do instead? Ah, well, we've got a tip for that, too. Which is almost the opposite of what the Dynamic picture presets is designed to deliver. In short, what you really want from a TV picture, to make the viewing experience more immersive, is consistency and balance. The difference between the darkest and lightest parts of the picture can be stretched to a point where again things start to look forced and inconsistent, and sharpness can be pushed so much that highly textured parts of the picture can look bitty, excessively grainy, or beset by shimmering noise. Some color tones tend to get pushed more than others too, leading to a loss of balance, and subtle shading details can disappear, causing pictures to feel flatter and more cartoonish. Rich colours, for instance, can become so extreme they look noticeably unnatural. Unfortunately, though, once you get past the initial razzle dazzle, the Dynamic mode actually doesn’t do picture quality any favours at all. As such, it lures unsuspecting consumers in like moths to a flame. After all, it’s designed to ‘show off’ the extremes your TV is capable of when it comes to colour range, brightness, contrast and sharpness. At first glance it’s easy to fall in love with the Dynamic mode.
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